Logic pro x equalizer free.Free EQUALIZER Plugin LCF
Looking for:
Using EQ in Logic Pro X - Pro Mix Academy. |
Logic pro x equalizer free
Mark Cousins is the equaliser… Consider this — if you could produce a mix using only EQ or compression, but not both, which would you choose? Mark Cousins is the equaliser…. Consider this — if you could produce a mix using only EQ or compression, but not both, which would you choose? Logic includes fully featured equalisers. Imagine a small boost of 1dB with a relatively wide Q — as you raise the boost, the wide bandwidth becomes increasingly disproportionate, raising a large part of the entirety of the sound spectrum.
Looked at spectrally, you should start to see a few key points. Firstly, you should be able to spot the key fundamental frequencies — so, in the example included on the DVD, we can see strong fundamental frequency on the kick drum around Hz, the fundamental on the snare around Hz and a harmonic on top of that around Hz. Above 1KHz, the sound spectrum gets increasingly complicated with lots of extra harmonics although these tend to be of a lesser amplitude than initial harmonics.
The key to using EQ is understanding where these frequencies sit in relation to the harmonic spectrum and how we can exploit them to our best advantage.
For the six parametric bands, the parameters include the amount of cut or boost, the frequency, and the bandwidth or Q of the boost. The amount of boost tends to be subtler in the additive range usually around dB or so , while cuts can be applied much harder up to 10dB or more.
The Q or bandwidth is also easy to see and adjust visually, often contrasting between broader sweeps of colour; with a wide Q, and more surgical adjustment using a narrower Q setting. Another key area worth bearing in mind is the frequency area beneath the fundamental frequency. A simple Low Cut — either using the lowest filtering band on the Channel EQ, or the Low Cut setting on the Single Band EQ plug-in — can really aid the clarity of your mix, arguably defining sounds that have no interest in the low-end of the mix — like an acoustic guitar, for example — against instruments that have a stake, such as the kick drum or bass.
Another interesting tool is the Match EQ plug-in, which is a way of imposing the spectral properties of one sound on another. Match EQ offers a unique insight into the differences between two signals, as well as an alternative means of applying an EQ.
Using Match EQ, can be an interesting way of discovering the timbral differences between your mix and a commercial recording or for matching the tones of electric guitars. Once Logic has analysed the Source and Reference, it will generate a new Match EQ profile that can be applied using various degrees of strength.
Understanding both how sounds work, and how equalisation can be used to modify the spectral balance, takes time and practice. Take time to fully exploit the visual-analysis tools, and let them guide your ear in respect to improving your hearing. The simple yet useful subsonic Low Cut setting reduces unwanted low-end. Single Band EQ has a range of creative applications. The High Cut setting can be used as a form of low-pass filtering, with the Slope setting the strength of filtering and Q Factor working as resonance.
Set the Frequency to around Hz: increase Q Factor for added weight. Click on the left axis to shift up or down, making the harmonic spectrum easier to see. Click here to continue. Apple Logic Pro EQ. Tone Empire Firechild compressor review: The vari-mu king gets convolved. Eight of the best plug-ins for trap and hip-hop.
Comments
Post a Comment